Introduction
"Theme From The Swedish Rhapsody 1947" is a MIDI music piece in Classical Music style, played by Acoustic Grand Piano solo.
The total duration of this midi music is 4 minutes and 0 seconds, with a total of 1,842 notes, divided into 26 tracks, the initial tempo is 104bpm, the min tempo is 15bpm, the max tempo is 200bpm.
There are multiple keys marked in the file, such as F major、D major、B♭ major etc., the marked beat is 3/4.
Some MIDI events such as Channel Volume Control, Pan are used.
| Ratings: |
|---|
Standard Midi File Properties
-
Standard
GM1 -
File format
MIDI TYPE 1 -
File size
13.18 KB -
Duration
04:00 -
BPM
15 - 200 -
Tracks
4
Channels and Instruments
Used 4 channels, 1 instrument
-
Acoustic Grand Piano
402 notes/chords，avg. pitch F#5
Program ID: 0, Track: 1time: 00:01 - 03:59
pitch: D3 - A#7
-
Acoustic Grand Piano
313 notes/chords，avg. pitch C5
Program ID: 0, Track: 2time: 00:01 - 03:59
pitch: D3 - C#7
-
Acoustic Grand Piano
195 notes/chords，avg. pitch F#4
Program ID: 0, Track: 3time: 00:02 - 03:59
pitch: D#3 - A6
-
Acoustic Grand Piano
607 notes/chords，avg. pitch D#3
Program ID: 0, Track: 4time: 00:01 - 03:58
pitch: C1 - A4
Tracks
26 tracks are used, 4 tracks have notes
| # | Name | Channel(s) | Instrument(s) |
|---|---|---|---|
| 1 | piano 1 | 1 | Acoustic Grand Piano |
| 2 | piano 2 | 2 | Acoustic Grand Piano |
| 3 | piano 3 | 3 | Acoustic Grand Piano |
| 4 | piano 4 | 4 | Acoustic Grand Piano |
| 5 | * | ||
| 6 | Theme from The Swedish Rhapsody 1947 | ||
| 7 | Music by Charles Wildman | ||
| 8 | copyright MCMXLVII by Reuter and Reuter Forlags, A.B. Stockholm | ||
| 9 | copyright 1948 by Keith Prowse and Co.Ltd. | ||
| 10 | sequence by James Pitt-Payne, London UK | ||
| 11 | on Wednesday 01 October 2003 at 21.48 | ||
| 12 | in association with Doug Grierson | ||
| 13 | * | ||
| 14 | This music featured in a film called "Gypsy Fury" - 1951 | ||
| 15 | in which the love of a gypsy girl prompts | ||
| 16 | a young aristocrat to abdicate all he owns. | ||
| 17 | * | ||
| 18 | I have no recording of this work so my apologies to those | ||
| 19 | who may disagree with the phrasing. Adjustments and | ||
| 20 | and suggestions are always welcome. | ||
| 21 | * | ||
| 22 | James Pitt-Payne | ||
| 23 | London UK | ||
| 24 | drjames@ntlworld.com | ||
| 25 | * |
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