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Imagining I'm looking in your eyes I can see you clearly Vividly emblazoned in my mind And yet you're so far Like a distant
\You're my first love, you're my last. /You're my fu ture, you're my past.
/You know me bet ter than that /You think I'd leave you down /when you're down /on your knees?
don't you hes i tate /I won't keep wait ing for you /To come and let me take /You to my fan ta sy room /You're
Lennon/McCartney) \You say it's your birth day /It's my birth day too, yeah \They say it's your birth day /We're
@KMIDI KARAOKE FILE @LENGL @TCecilia @TSimon and Garfunkel \Ce cil ia, you're break ing my heart /You're shak ing
Pungin @I email: br326@cleveland.freenet.edu @LENGL @TGLORY OF LOVE @TPeter Cetera \To night it's ve ry clear /and we're
\All along the western front /People line up to re ceive /She got the power in her hands /To shock you like
WE A RE THE .MI
get another person. you're alone? JUST PLAY IT.
If you're from Japan, you've probably heard of it. It is an approaching melody played on the Japan Railway.
ti red /I could not speak /I've been so lost /And I could not see /And I wan ted things /That we re
You're not sorry @KMIDI KARAOKE FILE @LENGL @T You're not Sorry @T Taylor Swift @T mis en kar par boubou sur un midi trouvé
Woof \Turn it in side out so I can see /The part of you that's drif ting o ver me /And when I wake you're
same /For the heart of the crowd is gone from sight /My part of the crowd is not with me to night \I re
Palleschi @Ie-mail: vince@risc.ifam.pi.cnr.it @LITAL @THabanera @Tda 'Carmen' di G.Bizet \E' l'a mo re u no stra no au
\Ch iq ui tita, tell me what's wrong /You 're enchained by your own s orrow /I i i in your eyes there is
MAYBE I DIDN'T LOVE YOU QUITE AS GOOD AS I SHOULD HAVE ---- RE --- MAYBE I DIDN'T TREAT YOU QUITE AS OFTEN AS I
re--I1J ? f$, p?, 1t- l! ?. re--I1J ? f$, p?, p [gj] p p mf p [gj] p p mf p
. / On the first part of the jour ney / I was look ing at all the li fe / there we re plants and birds and
