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简介
《Halcyon Days Elizabeth Tudor 1945 Kar》 是一首古典音乐风格的 MIDI 音乐，由大钢琴独奏。
全曲长7分33秒，共5804个音符，分为42个音轨，初始曲速 69bpm，最小曲速 40bpm，最大曲速 250bpm。
文件中标记了多个调式，有 C 大调、♭A 大调、♭E 大调、E 大调、F 大调 等，标记的节拍为 4/4、12/8 等。
使用了通道音量控制、左右声道平衡等 MIDI 事件。
作者备注
@KMIDI KARAOKE FILE
@LMusic by Eric Coates @THalcyon Days (Elizabeth Tudor) 1945 @T'The Three Elizabeths' @TDr. Pitt-Payne in London UK \Suite for Pi ano for te /THE THREE ELIZ A BETHS /- I - /HAL CY ON DAYS /(El iz a beth Tu dor) /Mu sic by Er ic Coates /Ded i cat ed, by per mis sion to /Her Ma jes ty /The Queen El iz a beth \Hal cy on Days, /from The Three Eliz a beths, /was ap pro pri at ed al most a de cade /af ter his (Coates) death /to in tro duce the a maz ing ly pop u lar /ada
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标准 MIDI 文件（SMF）属性
-
音色标准
GM1 -
文件格式
MIDI TYPE 1 -
文件大小
38.75 KB -
播放时长
07:33 -
BPM
40 - 250 -
音轨数量
4
通道与乐器编配
共使用4个通道，1种乐器
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大钢琴
1588个音符/和弦，平均音高 #D5
乐器 ID: 0, 音轨: 3时间: 00:10 - 07:33
音高: F3 - E7
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大钢琴
1040个音符/和弦，平均音高 #A4
乐器 ID: 0, 音轨: 4时间: 00:03 - 07:33
音高: #D3 - C7
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大钢琴
374个音符/和弦，平均音高 G4
乐器 ID: 0, 音轨: 5时间: 00:12 - 07:19
音高: #D3 - F6
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大钢琴
2384个音符/和弦，平均音高 #F3
乐器 ID: 0, 音轨: 6时间: 00:08 - 07:33
音高: G1 - A4
音轨信息
共使用42个音轨，4个音轨有音符
| # | 名称 | 通道 | 乐器 |
|---|---|---|---|
| 1 | Soft karaoke | ||
| 2 | Words | ||
| 3 | treble clef 1 | 1 | 大钢琴 |
| 4 | treble clef 2 | 2 | 大钢琴 |
| 5 | lyric line | 3 | 大钢琴 |
| 6 | bass | 4 | 大钢琴 |
| 7 | * | ||
| 8 | Halcyon Days (Elizabeth Tudor) 1945 Eric Coates | ||
| 9 | Music by Eric Coates (The Three Elizabeths) | ||
| 10 | actually dated August 3rd 1944, Evesham, in the piano score | ||
| 11 | sequence by Dr. Pitt-Payne in London UK | ||
| 12 | on Tuesday 29 April 2003 at 15.53 | ||
| 13 | in association with Doug Grierson | ||
| 14 | * | ||
| 15 | THE KING OF LIGHT MUSIC ERIC COATES | ||
| 16 | 1886 to 1957 | ||
| 17 | Coates' music is not merely melodically attractive: | ||
| 18 | it is memorably melodically attractive, pointed as | ||
| 19 | it is by driving rhythms. Particularly is this true | ||
| 20 | of his marches, of which he produced a dozen or more | ||
| 21 | which achieved enormous popularity. Some of them | ||
| 22 | were adapted as signature tunes of very long-running | ||
| 23 | radio programmes: 'Calling All Workers' ('Music While | ||
| 24 | You Work'), heard four times a day, five days a week, | ||
| 25 | for many years, 'Knightsbridge' ('In Town Tonight') | ||
| 26 | and, not a march, but equally memorable, | ||
| 27 | the valse serenade 'By the Sleepy Lagoon' | ||
| 28 | ('Desert Island Discs', still running). | ||
| 29 | These in turn kept his music aggressively before | ||
| 30 | the public. By the time he died, radio was beginning | ||
| 31 | to take second place to television, but Coates also | ||
| 32 | wrote title music for the small screen, like | ||
| 33 | 'The Rediffusion March': 'Music Everywhere' (1948), | ||
| 34 | while 'Halcyon Days', from 'The Three Elizabeths,' | ||
| 35 | was appropriated almost a decade after his death | ||
| 36 | to introduce the amazingly popular adaptation | ||
| 37 | of 'The Forsyte Saga,' and indeed for the large | ||
| 38 | screen - 'The Dam Busters March' of 1954 has | ||
| 39 | perhaps become Coates' single most popular movement. | ||
| 40 | ｩ Philip L Scowcroft | ||
| 41 | * |
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